1993 - Clive's Top Albums of Every Year Challenge
Over what will likely be the next few years I’m going to be ranking and reviewing the top 5 albums - plus a fair few extras - according to users on rateyourmusic.com (think IMDB for music) from every year from 1960 to the present. If you want to know more, I wrote an introduction to the ‘challenge’ here. You can also read all the other entries I’ve written so far by heading to the lovely index page here.
1993 was the year the Maastricht Treaty took effect, creating the European Union, Ruth Bader Ginsburg was appointed to Supreme Court and River Phoenix died of a drug overdose on Halloween, aged 23.
Rateyourmusic.com’s users have these as the top five albums of the year:
#1 Wu-Tang Clan - Enter the Wu-Tang (36 Chambers)
#2 Slowdive - Souvlaki
#3 A Tribe Called Quest - Midnight Marauders
#4 Nirvana - In Utero
#5 Smashing Pumpkins - Siamese Dream
I’m also grabbing this lot from further down the list:
#7 Red House Painters - Red House Painters [Rollercoaster]
#9 De La Soul - Buhloone Mindstate
#10 Snoop Doggy Dogg - Doggystyle
#11 Yo La Tengo - Painful
#13 Björk - Debut
Finally, here’s some others, voted onto NPR’s all-time best albums by women list:
PJ Harvey - Rid of Me
Liz Phair - Exile in Guyvvile
Off we go…
“Doggystyle is the debut studio album by American rapper Snoop Doggy Dogg. The album was recorded and produced following Snoop's appearances on Dr. Dre's debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre's first album continued on Doggystyle. Critics have praised Snoop Dogg for the lyrical "realism" that he delivers on the album and for his distinctive vocal flow. - Wikipedia
Snoop’s debut doesn’t hold a candle to the year’s other hip-hop releases in terms of sophistication but it does compete, and potentially beat them all, on the fun scale. I suspect that’s the only scale Snoop cares about. Snoop’s flow is unique, playful and catchy, though his lyrics are controversial (read misogynistic). It’s backloaded, which I guess is appropriate given the album’s title and cover…
Song Picks: G-Funk Intro, Serial Killa, Who I Am
7.5/10
Souvlaki is the second studio album by English rock band Slowdive. On its initial release, Souvlaki peaked at number 51 on the UK Albums Chart and was greeted with tepid reviews from critics. It has since received retrospective critical acclaim and has been hailed as a classic of the shoegaze genre. - Wikipedia
Want to be bathed in atmospheric, cathedralic, sustained guitar notes, gently strummed chords, patted drums, and wistful melodies that sound like they’ve been slowed down ten percent or so? Souvlaki is the album for you. It does all that, and it’s absolutely gorgeous to boot.
Song Picks: Alison, Dagger
7.5/10
“Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest.Its production was mainly handled by Q-Tip, with contributions from Skeff Anselm, Large Professor and the group's DJ, Ali Shaheed Muhammad. A culmination of the group's two previous albums, People's Instinctive Travels and the Paths of Rhythm and The Low End Theory, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positively-minded, and humorous lyrics.
The album received mostly positive reviews from critics upon release. In the following years, Midnight Marauders has acquired further acclamation from within the hip hop community for its production, chemistry and influence, with some regarding it as the group's best work, and one of the greatest hip hop albums of all time. “ - Wikipedia
I’m not surprised that Q-Tip, the man in charge of the beats on this album, was also involved with the beats on Nas’ Illmatic, my favourite hip-hop album of all time. Midnight Marauders has me bopping to every track, it suffers with the repetitiveness that I think all ATCQ albums suffer from a little, and I found the greater variety in the beats and instrumentation on De la Soul’s Buhloone Mindstate more able to keep my attention, but this is another rock solid hip-hop album that excels when you really pay attention to the socially conscious lyrics.
Song Picks: Award Tour, Eye Patch
8/10
“Debut is the international debut studio album by Icelandic recording artist Björk. It was Björk's first recording following the dissolution of her previous band, the Sugarcubes. The album departed from the rock style of her previous work and drew from an eclectic variety of styles, including electronic pop, house music, jazz and trip hop.” - Wikipedia
Debut is definitely eclectic - one minute you’re listening to to pumping disco on There’s More Than This, the next the delicate harp trappings of Like Someone in Love - which wouldn’t feel out of place as a song Audrey Hepburn might play out of a window on an acoustic guitar. It’s an album that is packed with creativity, well thought out production, great vocal performances and a sense of mischief. Serious mischief.
Song Picks: Venus as a Boy, Like Someone in Love, Big Time Sensuality
8/10
“Red House Painters is the second album by American band Red House Painters. The album is often referred to as Rollercoaster or Red House Painters I to distinguish it from the band's second eponymous album, often referred to as Bridge. A double album, Red House Painters features fourteen songs culled from bandleader Mark Kozelek's back-catalog. The album received highly positive reviews from critics upon release, with praise directed at the album's melancholic instrumentation and emotional depth.” - Wikipedia
Kozalek is the master of ‘this too will pass’ resigned sadness. His music is undoubtedly melancholy, but also glows with a warm hope. Musically, the beats per minute rarely go above ‘slow’ territory, and the instrumentation is blurry and uncommited - a slow jam. Kozalek’s melodies are effortless, wistful, and, to me, eminate a feeling of nostalgia, much like the album’s evocative cover.
Song Picks: Grace Cathedral Park, Mistress, Take Me Out
8.5/10
“Painful is the sixth studio album by American indie rock band Yo La Tengo. The album marked a creative shift from Yo La Tengo's previous work, blending atmospheric and ambient sounds with their famous noise jams. Painful features a much more melody-driven Yo La Tengo in its hazy, dream-like songwriting.” - Wikipedia
Annoyingly Wikipedia has stolen the two adjectives I mainly wanted to use to describe this album. Dreamy and hazy. The soft, often mumbled melodies blend with hypnotic synth and guitar lines that weave in and out of each other like an unpredictable strand of DNA flying through space, as it slowly expands and contracts. Something like that anyway. I love Painful, it takes me to a new place, one that is mostly a soft cloudy dreamscape, but that also throws plenty of tension at you to remind you just how comfortable that cloud you were on a minute ago was.
Song Picks: The Whole of the Law, A Worrying Thing, I Heard You Looking
9/10
“Siamese Dream is the second studio album by American alternative rock band the Smashing Pumpkins. Despite the album's recording sessions being fraught with difficulties and tensions, Siamese Dream debuted at number ten on the Billboard 200, and was eventually certified 4× Platinum by the Recording Industry Association of America (RIAA), with the album selling over six million copies worldwide, cementing the Smashing Pumpkins as a significant group in alternative music.
The album received widespread acclaim from critics and audiences alike, with its musical influences and lyrical material standing out compared to other releases during the alternative rock and grunge movements of its time. The album has since been considered "one of the finest alternative rock albums", and is widely regarded as one of the greatest albums of the 1990s and of all time.” - Wikipedia
Smashing Pumpkins are just a bloody good band you know? The bass, drums and sawing guitar riffs go together like the finest honey and err… yoghurt. Lead singer Billy Corgan wanted the thing to sound huge, but not too reverby, and producer Butch Vigg duly complied by compressing up to 100 guitar tracks per song to create a guitar sound thicker than clotted cream. It’s a miracle that Jimmy Chamberlain’s deft drumming can be heard at all, but it’s not only audible but damn punchy too. Corgan’s hushed falsetto is one of alternative rock’s most recognisable, and sits above the comfortably warm production perfectly, inviting you in. In a decade where alternative rock really took off, Siamese Dream gave the genre a kick up the arse much like one of its punchy quiet to loud transitions.
Song Picks: Cherub Rock, Silverfuck, Quiet, Mayonaise, Today, Hummer
9/10
“Enter the Wu-Tang (36 Chambers) is the debut studio album by the American hip-hop group Wu-Tang Clan. The album was produced by the group's de facto leader RZA. Its title originates from the martial arts films Enter the Dragon (1973) and The 36th Chamber of Shaolin (1978).
Enter the Wu-Tang (36 Chambers) has since been widely regarded as one of the most significant albums of the 1990s, as well as one of the greatest hip hop albums of all time. In 2020, the album was ranked 27th on Rolling Stone's updated list of the 500 Greatest Albums of All Time.” - Wikipedia
Enter the Wu-Tang (36 Chambers) is a hip-hop masterpiece. Gritty beats, seamless chemistry between its multiple distinctive and talented rappers, and an influence that is obvious in oodles of subsequent releases in the genre (particularly East Coast hip-hop). 36 Chambers is both accessible as an album to switch off and bop to, and deep as a studyable piece of art. Tracks like C.R.E.A.M and Can It All Be So Simple feature some of the slickest beats ever put to tape.
Song Picks: Bring da Ruckus, Can It Be All So Simple, C.R.E.A.M, Tearz
9/10
“Buhloone Mindstate is the third studio album by American hip hop group De La Soul. It was the group's last record to be produced with Prince Paul.” - Wikipedia
A relentlessly smooth record, the beats and vocals drip with condensation like an ice cold can of your favourite beverage. As refreshing lyrically as we’ve come to expect from De la Soul, complete with the perfect amount of jazz influence (Maceo Parker’s saxophone is particularly sublime on I Be Blowin’) to nail a certain ambience. It’s hard to fault Bohloone Mindstate, and you’ll be so lost in it’s chill you’ll feel no need to.
Song Picks: Eye Patch, En Focus , I Be Blowin’
9.5/10
“Rid of Me is the second studio album by English singer-songwriter and musician PJ Harvey. It marked a departure from Harvey's previous songwriting, being more raw and aggressive than its predecessor.
Most of the songs on the album were recorded by Steve Albini. Rid of Me was met with critical acclaim, and is widely regarded as one of the greatest albums of the 1990s and of all time, ranking at number 153 on the 2020 version of Rolling Stone's 500 Greatest Albums of All Time (up from 406 on the list's previous edition).” - Wikipedia
Rid of Me is a gritty, raw masterpiece of aggressive vocals and pulverising and rotating guitar riffs. Produced in a manner where the quiet sections are actually quiet, and thus the louder sections hit like a truck, it’s one of the most cathartic albums I’ve heard on this challenge for a long time. Harvey’s vocals are unpredictable, angry, raw and brilliant, and she has an unbelievable knack of jumping from superb riff to superb riff while all the while making it sound completely spontaneous. Rid of Me is pent up energy released through shouts and distorted guitar, and you can bet if it had been recorded by a man it’d be up there in discussions with Nirvana’s finest, and as you’ll see later there’s really no higher praise I can give it.
Song Picks: Highway ‘61 Revisited, Man-Size, Rid of Me, Missed
9.5/10
“Exile in Guyville is the debut album by American singer-songwriter Liz Phair. The album received critical acclaim and in 2020, it was ranked No. 56 by Rolling Stone in its 500 Greatest Albums of All Time list. It was certified gold in 1998 and as of July 2010 it had sold 491,000 copies.” - Wikipedia
Exile in Guyville is a tour-de-force in stripped down punk attitude and catchy riffs and vocals. It injects a large, and much needed, dose of the female perspective into the singer-songwriter sphere with brutal honesty, plenty of swearing, and vocals that defy the ‘pretty’ ones that were expected from female solo efforts. All this would be great on its own, but what really sets this album apart is that it is so chock-full of great, memorable, and thoroughly accessible songs, which for an album nearly 60 minutes long is more than impressive.
Song Picks: 6”1”, Never Said, Dance of the Seven Veils, Explain it to Me, Johnny Sunshine
9.5/10
“In Utero is the third and final studio album by the American rock band Nirvana. After breaking into the mainstream with their second album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound that was also reminiscent of their debut album, Bleach (1989).
In Utero was a major commercial and critical success. Critics praised the album’s raw, unconventional sound and Cobain's lyricism. The album is certified 5x platinum in the US and has sold 15 million copies worldwide. It was the final Nirvana album before Cobain's suicide in 1994.” - Wikipedia
In Utero is quite probably the most cathartic album ever recorded. It roars and bangs with a primal rage unlike anything else. Dave Grohl drums like an ape, Cobain bashes out power chords with a similar angry simplicity as he screams and howls. This would have all been for nought though if it had then been cleaned up and sanitised in the studio, but Steve Albini made sure that didn’t happen. In Utero captures the live energy of the band perfectly, hell at some points it sounds as if you can hear Cobain’s vocal chords about to snap (e.g Scentless Apprentice) as he shouts about his inner turmoil. As the last album by the band before Cobain blew his head off with a shotgun, it serves as a masterpiece of a goodbye.
Song Picks: Serve the Servants, Frances Farmer Will Have Her Revenge on Seattle, Heart Shaped Box
10/10